Trusting the Workshop

We tend to think of writing as a personal, internal experience. Thought to paper, right? And that idea is fine until someone actually reads your work. Then you have to think about what your writing means, its relationship to reality, what people think of it–all the stuff you would rather avoid while just continuing to write.

I don’t think I’m alone when I say that sometimes I wish I could stay in that oblivious stage and just keep thinking, “this is the best thing I’ve ever written.” But this isn’t the life of a writer–at least, not a good writer.

Tomorrow my story is being workshopped in my Advanced Creative Writing class, and I’m nervous. I’ve thought it through, in the agonizingly long week since I’ve turned in my story, and I think the reason I’m nervous is not just because I don’t want them to dislike it. I’m nervous because I really like the story (more than any short story I’ve ever written) and I don’t know how I’ll react to negative comments.

We say criticism isn’t personal. That’s true. But writing is personal, and sometimes it’s hard to separate something that is such a part of you from the words, “I didn’t like…” It can often feel like a stab to the heart.

But workshops are about trust. The readers trust that I am attached to this work, that I have given them my best. I trust that they know this, and that they will be cognizant of it. I trust that they have my (and my story’s) best interests at heart when they offer suggestions or critiques. I trust that they only want me to be better. And if all of these things are true, then I know I’ll be able to make it through workshop (but wish me luck, just in case).

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